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Final post-production direction for stills campaigns

When the shoot is done and the visual direction

needs to hold all the way to delivery.


I step in at the final stage to carry retouch, color and finishing with clarity and control —
so the campaign stays coherent,
the process stays cleaner,
and round 4 doesn’t suddenly develop a personality.

Less noise · More control · Cleaner delivery

For photographers, agencies and creative teams

who don’t need more hands touching things,
but a clear direction at the end.

Not noisier.        Not slower.       Not “almost done” for three more weeks.

Where final direction matters most

Not during the shoot.
When everything is already built
and the image needs to hold its place across the full set.

This is where small variations start to shift the whole.
Tone, skin, contrast — nothing dramatic on its own,
but enough to affect how the campaign reads as one.

Most high-end images are already strong.
The direction is there. The intention is clear.
What they need at the end
is not more intervention,
but consistency.

 

Why teams bring me in

  • The images are strong, but the full set needs final alignment
  • The direction is clear, but the last stage needs consistency
  • Too many decisions are arriving too late
  • The campaign needs to close with clarity

What I do

I direct the final stage of post-production
across retouch, color and finishing.

  • Not to add more.
  • Not to improvise.

To carry the existing direction
so the work stays coherent, controlled and fully resolved at delivery.

    What this changes

    Clearer approvals

    Stronger consistency across the full set

    Less late-stage variation

    Smoother final delivery

    Where I usually work

    Beauty (cosmetic)

    Beauty Photo-Woman face macro

    High-precision skin, preserved texture, controlled intervention.

    Commercial portrait

    Character-driven images with consistent tone and presence.

    Post-production direction

    Final-stage supervision for campaigns that require coherence across multiple outputs.

    A few recent outcomes

    Campaign / multiple stakeholders

    Expected several review rounds
    → Closed cleanly on first pass, with one minor tonal adjustment

    High-expectation project

    Anticipated heavy feedback
    → Resolved with one simple round under tight timelines

    Campaign sets

    Images worked individually but not as a whole
    → Unified visual direction across full campaign set

    The goal is not for the retouch to be noticed.
    It’s for the image to make sense.

    I work on skin, light and color without removing what builds identity.

    The difference is rarely in doing more.
    It’s in knowing what stays.

    Cosmetic Beauty Photo-Women
    Cosmetic Beauty Photo-Woman
    Cosmetic Beauty Photo-Woman

    Judgment before execution

    Before touching an image, I read intention, art direction and final context.

    The work is not to add more,
    but to understand what needs to remain untouched.

    Because retouching is not just about restraint —
    it’s about decisions made in relation to the whole image.

    Selected projects I’ve collaborated on

    I work under standards where detail is not optional

    Hi, I’m Fani Martín — retoucher and final image direction.

    I don’t build images from scratch.
    I make sure the one that already exists
    arrives fully resolved,
    without losing identity, intention or coherence along the way.

    Precision in skin.
    Control in color.
    Respect for the person and the image.

    No plastic skin.
    No unrecognisable faces.
    No disconnected decisions.

    How I work

    I work per project, not per image. Because consistency doesn’t happen frame by frame.

    1

    Align the visual direction

    2

    Build consistency across the full set

    3

    Retouch with restraint,

    not anxiety

    4

    Review

    like the final

    decision-maker

    5

    Deliver work that’s ready to close — not to reopen

    The final stage doesn’t need more activity. It needs more control.

    What people say after working together

    «I can delegate post-production without worrying. The result is solid from start to finish.»

    Pedro Devalo

    Photographer

    “We had a complex shoot and Fani held the final result together with strong judgment and problem-solving.”

    Josep

    Director, Pleto

    “She makes skin look refined without losing its essence.”

    Alicia Dane

    Maquilladora

    “Consistency, judgment and trust.”

    Darren Skene

    Photographer

    If the project is nearly there, this is usually where final direction matters most.

    I review availability personally and only take on projects
    where I can keep things clear, controlled and finished properly.

    Tell me what you’re working on, timeline and where you are in post.

    info@fanimartinretouch.com

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