Final post-production direction
for stills campaigns
When the shoot is done and the visual direction
needs to hold all the way to delivery.
I step in at the final stage of post-production —
retouch, color and finishing —
to keep the work consistent, natural
and aligned across feedback, formats and final files.
Less noise · More control · Cleaner delivery
What working with me feels like
You don’t need to explain everything twice
You don’t get scattered versions of the same decision.
You don’t lose consistency halfway through the set
You don’t need to manage every small post-production detail yourself.
I step in at the final stage, when everything is already built,
but the project still needs to hold together across images, feedback and delivery.
What I do
I direct and execute the final stage of post-production — retouch, color and finishing — so the work stays consistent, controlled and ready for delivery.
This includes skin, texture, tone, color, image alignment, feedback interpretation and final files.
What this changes
-
-
- Fewer unnecessary rounds.
- Clearer approvals.
- Less back-and-forth.
- Cleaner version control.
- A campaign that holds together.
- A photographer’s direction that stays intact.
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Where I usually work
Post-production direction:
What this helps prevent
Campaign / multiple stakeholders
Feedback starts coming from different places
→ Decisions stay clear, aligned and easy to approve
High-expectation project
Anticipated heavy feedback
→ Resolved with one simple round under tight timelines
Campaign sets
Images work individually, but need to read as one
→ Skin, tone, color and contrast stay coherent across the full set
How I work
I work per project, not per image. Because consistency doesn’t happen frame by frame.
1
Align direction
2
Set the
key image
3
Roll out with control
4
Keep feedback clean
5
Deliver ready to close
This keeps the process easier for photographers, producers and agencies — with fewer loose decisions to chase at the end.
The final stage doesn’t need more activity.
It needs better decisions.
The goal is not for the retouch to be noticed.
It is for the image to feel resolved, coherent and still true to its direction.
The difference is rarely in doing more.
It is in knowing what to refine, what to protect and what to leave alone.
Judgment before execution
Before touching an image, I read the intention, art direction, hierarchy and final context.
The work is not to add more, but to understand what needs to be
refined, protected or left untouched.
Because retouching is not just about restraint —
it is about making decisions in relation to the whole image, the full set and the final use.
Hi, I’m Fani Martín — retoucher and post-production director.
I help photographers, agencies and production teams carry strong images through the final stage without losing identity, intention or coherence.
My value is not only in retouching the image.
It is in reading the direction, anticipating where things may drift and keeping the final result controlled until delivery.
Precision in skin.
Control in color.
Respect for the person, the team and the image.
No plastic skin.
No disconnected decisions.
No unnecessary noise.
Why teams trust the process
«I can delegate post-production without worrying. The result is solid from start to finish.»
“We had a complex shoot and Fani held the final result together with strong judgment and problem-solving.”
“She makes skin look refined without losing its essence.”
“Consistency, judgment and trust.”
Need final post-production support?
If the direction is already strong, the final stage should not make it feel different.
It should make it feel finished.
I support selected beauty, fashion, campaign and commercial stills projects through retouching, color, consistency and final delivery.
Useful when you need the work to stay aligned across feedback, formats, deadlines and final files.


